The implications of the Mayflower crossing are so far-reaching they are sometimes difficult to comprehend. The voyage is both a national origin story for America and, given the widespread devastation of the Indigenous population that resulted, an event to mourn. There is common ground here in the act of remembrance, but the distance between these two perspectives can feel vast, more difficult to navigate than an ocean in a wooden boat. Click here for a one-minute video tour of the exhibit. Click here for a fourteen-minute video by the curator. Click here for an exhibit catalogue.
‘Another Crossing’ charts a course through this abyss. The project is a transatlantic collaboration organised by Plymouth College of Art, The Box and the Fuller Craft Museum in Brockton, Massachusetts, USA. During the exhibition’s development, the artists travelled to both places to better understand the historical context, visit key locations and meet historians, academics and curators. (Above) A mishoon created by Jonathan-James Perry hangs above the exhbit.
The premise of the exhibition is simple: each participating artist has created work in response to the Mayflower anniversary, utilising only tools, materials and processes that existed in 1620. It’s a concept that highlights the sophistication of historic craft practices like beadwork, joinery, metalsmithing, leatherwork and pottery. (Above) Allison Smith exhibits a steeple-crowned beaver hat and a broom, made
from elderberry and hawthorn.
It also has a metaphorical intention: the art works inhabit two moments in time, stretching across four centuries. They are by turns introspective, outraged, sad, funny, surprising and humane. Each offers its own wisdom. Collectively, they suggest that the journey undertaken by the Mayflower is still in progress all these years later. We’re still trying to get to a better place. (Above, left) Jasleen Kaur exhibits a burned boat and a turkery. (Above, right) Annette Bellamy exhibits a floating boat.